Kerning

The kerning is a fundamental aspect in typographic design that often goes unnoticed by non‑experts, but it has a significant impact on the visual quality and readability of text. It refers to the adjustment of the space between specific pairs of letters to achieve an optimal and harmonious distribution of characters in a word or sentence.

Origin of kerning

The term kerning comes from the French word “carne”, which means “margin” or “bevel”. This concept originated in the era of metal typography, when characters were cast in metal blocks and some of them had to be physically modified to fit better with the neighboring letters. This was done to avoid unnecessary spaces and improve the readability of printed text.

Five dark metallic blocks with circular holes, placed on a white surface.
Metallic typefaces used in traditional printing, where physical adjustments were made to improve kerning between characters.

With the transition to digital typography, kerning became an essential feature in graphic design, allowing the space between specific pairs of letters to be adjusted more precisely and efficiently. Today, most typefaces come with preset kerning adjustments, but designers often modify them manually to ensure a more harmonious and professional visual appearance.

Types of kerning

In digital typography, several types of kerning can be distinguished:

  • Kerning automatic or metric: Determined by the typeface metrics, where each pair of letters has a predefined adjustment.
  • Kerning manual: Applied by designers to correct or optimise spacing according to visual criteria.
  • Kerning optical: Algorithms that adjust spaces based on the shape of the letters to achieve a more uniform distribution.
Typographic example with three text sizes and comparison of letter spacing in the phrase “We the kerning”.
Comparison between text with poor kerning and the same text with correctly adjusted kerning.

Why is kerning important?

A proper kerning avoids spaces that are too wide or too narrow between letters, which can distract the reader and affect message comprehension. For example, in logo or headline designs, a poor kerning can convey an unprofessional image or even change the meaning of a word.

Common errors include:

  • Obvious differences between letter pairs that break visual coherence.
  • Spaces too large that fragment words and hinder reading.
  • Letters too close that make the text confusing.
Three examples of incorrect kerning with the word “BAD KERNING”.

How to adjust kerning like a professional

  1. Identify problematic pairs: Some letter combinations, such as “AV”, “To” or “WA”, tend to have visually unbalanced spacing.
  2. Use typographic tools: Most design programs, such as Adobe Illustrator, Photoshop or InDesign, offer options to adjust the kerning manually.
  3. Rely on visual perception: Adjusting the kerning is a subjective task that requires a trained eye to detect imbalances.
  4. Conduct reading tests: View the text in different sizes and contexts to ensure proper readability.
Visual comparison between text without kerning adjustment and text with applied kerning.
Diagram showing the adjusted spaces between pairs of common letters that require kerning.

Kerning in different languages and contexts

El kerning also can vary depending on the language. Some languages have letter combinations that require specific adjustments. In typefaces that include special characters or diacritics, such as in Catalan, it is important to verify that these elements do not create inconsistent spacing.

It is also fundamental in logo design and corporate identity, where letter spacing can directly affect brand perception.

In summary…

El kerning is an essential tool in graphic design that contributes to the clarity and aesthetics of text. A proper adjustment of kerning improves readability and conveys a more professional and precise image. Designers must pay attention to this detail to ensure their work communicates the desired message effectively and attractively.


Related reading: Good typography is essential for visual identity. You can also consult the seven characteristics of a good logo. Typographic adjustments also contribute to the reading order of a piece; to see how typography combines with size, contrast and composition, you can read the article on visual hierarchy.



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Published by Oriol Bg

Graphic designer

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